{"id":822,"date":"2025-08-26T13:31:59","date_gmt":"2025-08-26T13:31:59","guid":{"rendered":"https:\/\/new.arac.ro\/?post_type=exhibition&p=822"},"modified":"2025-09-24T15:33:59","modified_gmt":"2025-09-24T15:33:59","slug":"sacel-art-residency-exhibiton","status":"publish","type":"exhibition","link":"https:\/\/www.arac.ro\/ro\/exhibition\/sacel-art-residency-exhibiton\/","title":{"rendered":"S\u0103cel Art Residency exhibiton"},"content":{"rendered":"
\n
\n
\n
\"\"<\/figure>\n\n\n\n

<\/h2>\n\n\n\n


<\/p>\n\n\n\n

<\/p>\n\n\n\n

\n
<\/div>\n<\/div>\n<\/div>\n\n\n\n
\n
\n
\n

Arti\u0219ti:<\/strong> Ioana C\u00eerlig, Morgane Denzler, Andreea Medar, Delia Popa, Iulian Bisericaru, Ilie Mihali, Damien Rouxel, Donald Simionoiu
15.08-31.08.2025<\/strong><\/p>\n\n\n\n

<\/p>\n<\/div>\n<\/div>\n\n\n\n

ARAC, \u0218coala Gimnazial\u0103 Repedea, S\u0103cel, Maramure\u0219
<\/p>\n\n\n\n

Evenimentul \u0219i vernisajul expozi\u021biei au avut loc \u00eentr-o fost\u0103 \u0219coal\u0103 s\u0103teasc\u0103, \u00eenchis\u0103 din cauza depopul\u0103rii \u2014 un spa\u021biu simbolic, reactivat prin art\u0103 \u0219i prin implicarea \u00een comunitatea local\u0103.<\/p>\n\n\n\n

15 august a purtat o tripl\u0103 semnifica\u021bie: S\u0103rb\u0103toarea Sfintei Maria, Ziua Maramure\u0219ului \u0219i ziua de na\u0219tere a Anc\u0103i Poterasu \u2014 un prilej de a celebra comunitatea, tradi\u021bia \u0219i arta contemporan\u0103.<\/p>\n\n\n\n

<\/p>\n\n\n\n

Pe parcursul a dou\u0103 s\u0103pt\u0103m\u00e2ni, un grup de arti\u0219ti \u2014 Morgane Denzler, Damien Rouxel, Delia Popa, Ioana C\u00eerlig, Andreea Medar \u0219i Ilie Mihali \u2014 au reactivat proiectul la S\u0103cel (Maramure\u0219, Rom\u00e2nia), la invita\u021bia Anc\u0103i Poterasu (ARAC). A fost un timp colectiv de reflec\u021bie, \u00eent\u00e2lniri, experimente artistice, discu\u021bii \u00eendelungate \u0219i interoga\u021bii asupra realit\u0103\u021bilor agricole ale locului. Suntem profund con\u0219tien\u021bi de fragilitatea acestor practici agricole, \u00eenc\u0103 bazate pe subzisten\u021ba familial\u0103.\n\nAceast\u0103 fragilitate se afl\u0103 \u00eentr-un contrast puternic cu intensitatea interdependen\u021bei dintre credin\u021b\u0103, via\u021ba rural\u0103, me\u0219te\u0219uguri (\u00een special ceramica, \u021besutul \u0219i broderia), tradi\u021bii, animale, r\u00e2u \u0219i p\u0103dure. La S\u0103cel, tot ceea ce \u021bine de via\u021ba cotidian\u0103 \u0219i de ecosistemul s\u0103u \u2014 vizibil \u0219i invizibil, uman \u0219i mai-mult-dec\u00e2t-uman \u2014 este profund interconectat.\n\nAstfel, Morgane Denzler \u0219i-a continuat reflec\u021biile asupra oieritului, l\u00e2nii \u0219i rela\u021biei dintre p\u0103stor, turm\u0103 \u0219i loc. Damien Rouxel a \u00eencercat s\u0103 \u00eembine preocup\u0103ri personale cu observa\u021biile f\u0103cute \u00een Maramure\u0219 despre tradi\u021bii \u0219i realit\u0103\u021bi materiale. Ilie Mihali \u0219i-a dedicat timpul lucrului cu p\u0103m\u00e2ntul \u0219i focul, realiz\u00e2nd lucr\u0103ri ceramice. Ioana C\u00eerlig s-a cufundat \u00een dimensiunea vegetal\u0103 a S\u0103celului. Delia Popa a imaginat leg\u0103turi \u00eentre satul s\u0103u (Cre\u021be\u0219ti, regiunea Vidra) \u0219i S\u0103cel, dou\u0103 sate vulnerabile. Andreea Medar \u0219i-a continuat cercetarea asupra unei memorii pe cale de dispari\u021bie; la S\u0103cel, a observat dispari\u021bia obiceiurilor pastorale \u0219i a colaborat cu un olar \u0219i o c\u00e2nt\u0103rea\u021b\u0103 pentru a re\u00eenvia o memorie gestual\u0103 \u0219i muzical\u0103.<\/p>\n\n\n\n

(Julie Crenn, july 2025)<\/p>\n\n\n\n

<\/p>\n\n\n\n

\n

Mai jos se afl\u0103 imagini de instala\u021bie din expozi\u021bia care prezint\u0103 rezultatele Reziden\u021bei de Art\u0103 de la S\u0103cel. Pe parcursul a dou\u0103 s\u0103pt\u0103m\u00e2ni, la S\u0103cel, Maramure\u0219, \u0219apte arti\u0219ti \u0219i un curator au participat la un proces creativ colaborativ.<\/p>\n\n\n\n

Mul\u021bumiri c\u0103lduroase curatoarei invitate, Julie Crenn, pentru dedica\u021bia \u0219i implicarea sa, precum \u0219i arti\u0219tilor participan\u021bi: Delia Popa, Morgane Denzler, Damien Rouxel, Ioana C\u00eerlig, Ilie Mihali, Andreea Medar, al\u0103turi de arti\u0219tii invita\u021bi Donald Simionoiu \u0219i Iulian Bisericaru.<\/p>\n<\/div>\n\n\n\n

\n
\n
\"\"<\/figure>\n\n\n\n
\"\"<\/figure>\n\n\n\n
\"\"
Andreea Medar’s vessel\/ installation:<\/strong> Ruptul Sterpelor <\/em>

Se bazeaz\u0103 pe un obicei pastoral din regiunea Maramure\u0219 din Rom\u00e2nia, practicat \u0219i \u00een satul S\u0103cel. \u00cen timpul \u0219ederii sale la reziden\u021ba noastr\u0103, artista s-a inspirat dintr-un ritual pastoral tradi\u021bional din Maramure\u0219, care marca \u00eenceputul sezonului de p\u0103\u0219unat \u0219i afirma apartenen\u021ba comunitar\u0103 prin m\u0103surarea laptelui de oaie. Lucrarea sa, intitulat\u0103 Ruptul \u0218terpelor, const\u0103 \u00eentr-un vas ceramic (folosit istoric ca recipient pentru lapte), realizat \u00een colaborare cu olarul local Burnar T\u0103nase. Pe suprafa\u021ba interioar\u0103 este inscrip\u021bionat \u00een Braille un fragment dintr-un c\u00e2ntec tradi\u021bional legat de Ruptul \u0218terpelor. O surs\u0103 de lumin\u0103 din interior transform\u0103 vasul \u00eentr-o lantern\u0103 intim\u0103, aluzie la inutilitatea sa actual\u0103. Vasul este expus pe un suport rotativ, cu o \u00eenregistrare audio redat\u0103 dedesubt \u2014 creat\u0103 \u00eempreun\u0103 cu doamna Maria Catan\u0103, una dintre pu\u021binele persoane care mai p\u0103streaz\u0103 memoria melodiei.

C\u00e2ntecul devine un cod sonor al memoriei colective, \u00eencorporat \u00een lut. \u201eRuptul \u0218terpelor\u201d este at\u00e2t un act de recuperare, c\u00e2t \u0219i de transformare. Este o lucrare care vorbe\u0219te despre comunitate, pierdere \u0219i rezilien\u021b\u0103.
<\/figcaption><\/figure>\n\n\n\n
\"\"
Delia Popa, Donald Simionoiu
Ilie Mihali<\/figcaption><\/figure>\n\n\n\n
\"\"
O gr\u0103din\u0103 a viitorului, unde for\u021bele se contopesc: vechiul, noul, imaginatul. Plantele sunt fiin\u021be cu multiple \u00eentrebuin\u021b\u0103ri, cre\u00e2nd un spa\u021biu pentru vindecare, hr\u0103nire, g\u00e2ndire magic\u0103 \u0219i transformare.\n\nParte a cercet\u0103rii The New Empire, o investiga\u021bie vizual\u0103 \u00een desf\u0103\u0219urare a artistei rom\u00e2ne Ioana C\u00eerlig. \u00cenceput \u00een 2017 ca o explorare personal\u0103 a rela\u021biei sale cu Natura \u0219i Acas\u0103, acest parcurs fotografic a evoluat c\u0103tre o interoga\u021bie mai ampl\u0103 asupra leg\u0103turii noastre cu P\u0103m\u00e2ntul. El abordeaz\u0103 teme precum conceptul de s\u0103lb\u0103ticie \u0219i rela\u021bia noastr\u0103 stranie cu natura, \u0219tiin\u021ba \u0219i cercetarea, posibilitatea unei \u00eenrudiri plante\u2013de\u0219euri, utopia coloniilor spa\u021biale \u0219i senzualitatea florilor.<\/figcaption><\/figure>\n\n\n\n
\"\"
Damien Rouxel<\/figcaption><\/figure>\n\n\n\n
\"\"
Morgane Denzler<\/figcaption><\/figure>\n\n\n\n
\"\"<\/figure>\n<\/div>\n<\/div>\n\n\n\n
\"\"
Andreea Medar<\/figcaption><\/figure>\n\n\n\n
\"\"
Andreea Medar<\/figcaption><\/figure>\n\n\n\n
\"\"
Iulian Bisericaru<\/figcaption><\/figure>\n\n\n\n
\"\"<\/figure>\n\n\n\n
\n\n\n\n

Proiectul este co-finan\u021bat de Ministerul Culturii<\/a><\/p>\n\n\n\n

Parteneri:<\/strong> French Institute Bucharest and Goethe-Institut.
Parteneri locali:<\/strong> Prim\u0103ria S\u0103cel, Borodi Design Studio, Consiliul Local S\u0103cel, Jude\u021bul Maramure\u0219<\/p>\n\n\n\n

Photo credits:<\/strong> Ioana C\u00eerlig<\/p>\n\n\n\n


<\/p>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n

<\/p>","protected":false},"excerpt":{"rendered":"

Pe parcursul a dou\u0103 s\u0103pt\u0103m\u00e2ni, un grup de arti\u0219ti \u2014 Morgane Denzler, Damien Rouxel, Delia Popa, Ioana C\u00eerlig, Andreea Medar \u0219i Ilie Mihali \u2014 au reactivat proiectul la S\u0103cel (Maramure\u0219, Rom\u00e2nia), la invita\u021bia Anc\u0103i Poterasu (ARAC). A fost un timp colectiv de reflec\u021bie, \u00eent\u00e2lniri, experimente artistice, discu\u021bii \u00eendelungate \u0219i intreb\u0103ri asupra realit\u0103\u021bilor agricole ale locului. R\u0103m\u00e2nem profund con\u0219tien\u021bi de fragilitatea acestor practici agricole.<\/p>","protected":false},"featured_media":823,"template":"","meta":{"arac_exhibition_start":"2025-08-15","arac_exhibition_end":"2025-08-31"},"class_list":["post-822","exhibition","type-exhibition","status-publish","has-post-thumbnail","hentry"],"_links":{"self":[{"href":"https:\/\/www.arac.ro\/ro\/wp-json\/wp\/v2\/exhibition\/822","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.arac.ro\/ro\/wp-json\/wp\/v2\/exhibition"}],"about":[{"href":"https:\/\/www.arac.ro\/ro\/wp-json\/wp\/v2\/types\/exhibition"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.arac.ro\/ro\/wp-json\/wp\/v2\/media\/823"}],"wp:attachment":[{"href":"https:\/\/www.arac.ro\/ro\/wp-json\/wp\/v2\/media?parent=822"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}