{"id":321,"date":"2025-07-02T10:44:17","date_gmt":"2025-07-02T10:44:17","guid":{"rendered":"https:\/\/new.arac.ro\/?page_id=321"},"modified":"2025-11-24T15:12:17","modified_gmt":"2025-11-24T15:12:17","slug":"trecute","status":"publish","type":"page","link":"https:\/\/www.arac.ro\/ro\/programe-publice\/expozitii\/trecute\/","title":{"rendered":"Expozitii Trecute"},"content":{"rendered":"
<\/div>

Eyes flatten<\/a><\/h2>
Start:<\/strong> 2026-10-01<\/span> End:<\/strong> 2026-10-30<\/span><\/div>

Artists: Emma Coss\u00e9e Cruz, Camilia Filipov, Delia PopaConcept and text: Georgiana Bu\u021bArtistic Director: Anca Potera\u0219u Location: ARCUB \u2013 Hanul Gabroveni, Sala Bol\u021bilor (str. Lipscani nr. 84-90) Date: 9\u201331.10.2026 \u201cBy 2050, half the population will be short-sighted. Eyes flatten [les yeux s\u2019aplatissent] due to a lack of exposure to natural light.\u201d The idea, voiced by artist…<\/p>Cite\u0219te mai mult<\/a><\/div><\/div>

<\/div>

S\u0103cel Art Residency exhibiton<\/a><\/h2>
Start:<\/strong> 2025-08-15<\/span> End:<\/strong> 2025-08-31<\/span><\/div>

Over two weeks, a group of artists (Morgane Denzler, Damien Rouxel, Delia Popa, Ioana Cirlig, Andreea Medar and Ilie Mihali) reactivated the project in Sacel (Maramures, Romania) at the invitation of Anca Poterasu (ARAC). A collective time of thought, encounters, plastic experiments, lo,gues discussions and questioning about the agricultural realities of our place. We are aware of the extreme fragility of these agricultural realities.\n\n<\/p>Cite\u0219te mai mult<\/a><\/div><\/div>

<\/div>

Loc de Ac\u021biune – Cre\u021besti<\/a><\/h2>
Start:<\/strong> 2025-05-15<\/span> End:<\/strong> 2025-07-01<\/span><\/div>

Since 2020, Delia Popa has been focusing on her place, the village of Cre\u021be\u0219ti located in the commune of Vidra, in southern Ilfov County. In her grandparents\u2019 house, she establishes her studio.In 2022, starting from this precise location, she works in harmony with the house: the furniture, the ceramic tiles adorning the wood burning stove, the architecture, the wood, the everyday objects. She also works with the garden ecosystem: the walnut tree, the greenhouse, the crops, the human and more-than-human inhabitants. <\/p>Cite\u0219te mai mult<\/a><\/div><\/div>

<\/div>

A Journey to the Center of the Earth<\/a><\/h2>
Start:<\/strong> 2025-02-03<\/span> End:<\/strong> 2025-03-30<\/span><\/div>

A Journey to the Center of the Earth exhibition is part of the project developed during the artistic residency exploring Sami culture and the ties between Norway and Maramure\u0219, focusing on textile art.<\/p>Cite\u0219te mai mult<\/a><\/div><\/div>

<\/div>

You Betrayed the Party Just When You Should Have Helped It<\/a><\/h2>
Start:<\/strong> 2024-12-17<\/span> End:<\/strong> 2025-01-31<\/span><\/div>

The exhibition \u201dYou Betrayed the Party Just When You Should Have Helped It\u201d is a part of the project \u201dIn(Visible) Traces. Artistic Memories of the Cold War\u201d, initiated by Documenta in Zagreb and organized together with the Romanian Association for Contemporary Art, Bucharest; Blockfrei, Vienna and The Bautzner Stra\u00dfe Dresden Memorial, Dresden. The project aims to engage artists, researchers, educators, policymakers, and citizens in reflecting, preserving and discussing European cultural heritage, focusing on neglected Cold War-era historical sites.<\/p>Cite\u0219te mai mult<\/a><\/div><\/div>

<\/div>

The Line of the Valley – Part II<\/a><\/h2>
Start:<\/strong> 2024-10-22<\/span> End:<\/strong> 2024-12-05<\/span><\/div>

In the summer of 2024, around twenty artists from different practices and nationalities gathered in S\u0103cel, in the Maramure\u0219 region, in a residency hosted by Anca Potera\u0219u. During the residency, the artists had the opportunity to learn traditional techniques in weaving, sewing, and textile dyeing from local craftsmen, applying these skills in contemporary creations<\/p>Cite\u0219te mai mult<\/a><\/div><\/div>

<\/div>

The New Empire<\/a><\/h2>
Start:<\/strong> 2024-10-10<\/span> End:<\/strong> 2024-11-15<\/span><\/div>

The solo exhibition \u201cThe New Empire\u201d is a lecture on sustainability and the importance of the plants around us and photographic practices, curated by Julie Bonzon and artist Ioana C\u00eerlig.\n<\/p>Cite\u0219te mai mult<\/a><\/div><\/div>

<\/div>

Prietena mea genial\u0103\/ \ub098\uc758 \ub208\ubd80\uc2e0 \uce5c\uad6c\/ My Brilliant Friend<\/a><\/h2>
Start:<\/strong> 2024-09-19<\/span> End:<\/strong> 2024-10-20<\/span><\/div>

My Brilliant Friend is a project born out of the curatorial friendship between Seolhui Lee and Anca Mihule\u021b. The two curators met in 2019 while working for the Busan Biennale and Singapore Biennale, respectively, trying to solve the mystery around a video work by the Romanian-Cuban artist Sandu Darie. \n<\/p>Cite\u0219te mai mult<\/a><\/div><\/div>

<\/div>

Linia Izei – S\u0103cel, Maramure\u0219<\/a><\/h2>
Start:<\/strong> 2024-07-14<\/span> End:<\/strong> 2024-08-14<\/span><\/div>

The group exhibition curated by Marie Maertens presents works created during the residency by artists Yana Bachynska, \u017deljko Beljan, Tanja Boukal, Anetta Mona Chi\u0219a, Kamruzzaman Shadhin, Megan Dominescu, Bogdan Rata, Dan Visovan, Delia Popa, Mihaela Moldovan, Loredana Ilie, Donald Simionoiu,Bernhard Frue, Ilie Mihali, Christina Zurfluh, using textile and recyclable materials. The works reflect both local and cultural influences and contribute to critical research aimed at developing a strategic action plan for the sustainable development of our community.<\/p>Cite\u0219te mai mult<\/a><\/div><\/div>

<\/div>

Ecology after Life<\/a><\/h2>
Start:<\/strong> 2024-05-09<\/span> End:<\/strong> 2024-07-01<\/span><\/div>

The exhibition serves as a metaphor for the regeneration of life as a whole, exploring not only human existence but also the intricate connections between organisms that sustain life on Earth. From Aurora Kir\u00e1ly\u2019s landscapes to Delia Popa\u2019s introspective reflections, Iosif Kir\u00e1ly\u2019s blurring of reality and fantasy, Ioana C\u00eerlig\u2019s documentation of coal miners, and Matei Bejenaru\u2019s chronicles of forgotten spaces, Ecology of the Afterlife contemplates the interconnectedness of living beings.<\/p>Cite\u0219te mai mult<\/a><\/div><\/div>

<\/div>

Memory Practices<\/a><\/h2>
Start:<\/strong> 2024-03-16<\/span> End:<\/strong> 2024-04-16<\/span><\/div>

Zoya Laktionova is an artist working with photography and video art around the concepts of memory, war and personal stories. During her Artists for Artists Residency (AFAR) in Bucharest she continued her exploration of local history, which transforms the ephemeral into the eternal, capturing fleeting moments that resonate deeply with viewers.<\/p>Cite\u0219te mai mult<\/a><\/div><\/div><\/div>\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":1,"featured_media":0,"parent":315,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-321","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/www.arac.ro\/ro\/wp-json\/wp\/v2\/pages\/321","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.arac.ro\/ro\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.arac.ro\/ro\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.arac.ro\/ro\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.arac.ro\/ro\/wp-json\/wp\/v2\/comments?post=321"}],"version-history":[{"count":2,"href":"https:\/\/www.arac.ro\/ro\/wp-json\/wp\/v2\/pages\/321\/revisions"}],"predecessor-version":[{"id":1026,"href":"https:\/\/www.arac.ro\/ro\/wp-json\/wp\/v2\/pages\/321\/revisions\/1026"}],"up":[{"embeddable":true,"href":"https:\/\/www.arac.ro\/ro\/wp-json\/wp\/v2\/pages\/315"}],"wp:attachment":[{"href":"https:\/\/www.arac.ro\/ro\/wp-json\/wp\/v2\/media?parent=321"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}